Content producer – Inigo Tech http://inigo-tech.com/ Tue, 22 Nov 2022 14:55:05 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://inigo-tech.com/wp-content/uploads/2021/06/favicon-18-150x150.png Content producer – Inigo Tech http://inigo-tech.com/ 32 32 A professional podcast producer helps others launch and take their podcasts to the next level https://inigo-tech.com/a-professional-podcast-producer-helps-others-launch-and-take-their-podcasts-to-the-next-level/ Tue, 22 Nov 2022 14:35:00 +0000 https://inigo-tech.com/a-professional-podcast-producer-helps-others-launch-and-take-their-podcasts-to-the-next-level/ The full-time podcast producer “Although podcasting is a household term, it’s not yet a household tool.” isaac smith NEW YORK (WEB PR) November 22, 2022 Isaac Smith has worked in audio production for eight years. Smith has worked on over 20 unique podcasts and specializes in guiding new podcasters through the process of creating, […]]]>

The full-time podcast producer

“Although podcasting is a household term, it’s not yet a household tool.” isaac smith

Isaac Smith has worked in audio production for eight years. Smith has worked on over 20 unique podcasts and specializes in guiding new podcasters through the process of creating, launching and maintaining their shows. Now he’s bringing his expertise to the airwaves, hoping to reach even more potential hosts and those looking to take it to the next level.

Although podcasting is a household term, Smith says it’s not a “household tool” yet. He compares the platform to the YouTube of twenty years ago – entertainment more than education. Since podcasting is in its infancy, Smith encourages his listeners to incorporate this valuable information delivery tool into their profession now.

Smith hopes to convince podcasters to think like a producer responsible for creating an asset, rather than an occasional content creator who experiments. Therefore, the show targets two audiences, those who want to leverage a podcast as a business asset and those who already know how to produce a show but want to turn that skill set into a source of income.

The full-time podcast producer will be broadcast every Tuesday and Thursday in a short format of 10 to 15 minutes. Smith covers topics such as: (1) the monetization option in podcasting that nobody talks about, (2) content-based networking, (3) show length and ratings, (4) the title SEO and (5) how to ensure your podcast is an asset and not a liability. Smith teaches tips and tricks for building a podcast production business that can be leveraged to achieve financial goals.

Whether you’re planning to get your podcast off the ground or want to take your production game to the next level, subscribe to The Full Time Podcast Producer as your go-to resource for pure podcast education.

Produced by Life’s Difficult MediaThe Full-Time Producer’s Podcast will launch on Tuesday, November 22, 2022 and will be available on all of your favorite podcasting platforms and lifestough.com.

Subscribe now: Apple | Spotify | Amazon/Audible

follow us on social media to learn more about all the ways we’re growing here at Life’s Tough Media!

About Life’s Tough Media:

Founded in 2019, Life’s Tough Media is a growing media production company whose mission is to connect people and each other through innovative podcasts, films, documentaries and books. The brand focuses on building community, empowering audiences, and teaching people how to be “tougher” than their situation and how to reinvent themselves. Founder Dustin Plantholt says, “We are starting a movement and changing the world, one heart at a time, freeing others from shame, guilt and anger. That’s life… life is tough… but YOU can be TOUGH! For more information on offerings from their podcast services division, please visit lifestough.com or email info@lifestough.com.

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Xumo launches holiday pricing hub https://inigo-tech.com/xumo-launches-holiday-pricing-hub/ Fri, 18 Nov 2022 20:42:54 +0000 https://inigo-tech.com/xumo-launches-holiday-pricing-hub/ IRVINE, Calif.—Comcast’s free streaming service Xumo has launched an 18-channel Holiday Hub, featuring hundreds of hours of themed entertainment, including seasonal movies, several original Xumo titles as well as a dedicated movie marathon from Hallmark Movies & More, home of Hallmark’s holiday classics. “Our Holiday Hub is the perfect destination for viewers to enjoy the […]]]>

IRVINE, Calif.—Comcast’s free streaming service Xumo has launched an 18-channel Holiday Hub, featuring hundreds of hours of themed entertainment, including seasonal movies, several original Xumo titles as well as a dedicated movie marathon from Hallmark Movies & More, home of Hallmark’s holiday classics.

“Our Holiday Hub is the perfect destination for viewers to enjoy the widest range of holiday movies and themed content ever delivered on Xumo,” said Fern Feistel, vice president of marketing and content operations at Comcast. . “From popular movie titles and family favorites to Xumo originals, we’re kicking off the season with curated programming that will keep our audience entertained throughout the holiday season and into New Years.”

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TVF’s journey from YouTube channel to movie studio https://inigo-tech.com/tvfs-journey-from-youtube-channel-to-movie-studio/ Thu, 17 Nov 2022 02:07:55 +0000 https://inigo-tech.com/tvfs-journey-from-youtube-channel-to-movie-studio/ The Viral Fever (TVF), known for its hit shows such as Panchayat and Kota Factoryis becoming a full-fledged film production house by rolling out a film division. Registered as TVF Motion Pictures in April, the company will be headed by Arunabh Kumar, according to data on Töfler. The film division has between five and six […]]]>

The Viral Fever (TVF), known for its hit shows such as Panchayat and Kota Factoryis becoming a full-fledged film production house by rolling out a film division.

Registered as TVF Motion Pictures in April, the company will be headed by Arunabh Kumar, according to data on Töfler. The film division has between five and six projects underway, which could be spread across three formats. These include high-budget movies with top-notch actors, mid-budget movies, and movies for streaming platforms.

“Making movies is the absolute dream of any content company. It’s a natural progression for us,” said Vijay Koshy, President of The Viral Fever. Your story in an interaction.

Run by Contagious Online Media Networks, TVF was founded in 2012. The journey started when Arunabh Kumar, a graduate of IIT-Kharagpur with a background in film and advertising, and a few other IITians started posting videos on Youtube. The first, a ragging video parody named Inglourious Seniorsinspired by Quentin Tarantino Inglourious Basterds.

The defining moment for the YouTube channel came that year when Roguea parody of reality tv Roadiesgone viral.

This was the time when India’s digital ecosystem was taking shape. Bangalore has seen the birth of many technology companies. These include e-commerce giant Flipkart, beauty retailer Nykaa and taxi aggregator Ola, which have found their way into the emerging digital space.

These companies helped TVF grow, as many tech startups were sponsoring videos for YouTube-based content creators. After creating multiple spoof and parody videos, TVF launched its first web series, Permanent roommates (2014), supported by CommonFloor (acquired by Quickr) and Ola Cabs. This was followed by Pitchers (2015), a show based on Indian startup culture.

The content company continued to release at least one show every year on YouTube.

The team also grew to include Sameer Saxena, who left his cushy consulting job behind and got involved in the making Permanent roommatesand Nidhi Bisht, a former lawyer, who was appointed as a casting director and made cameos in numerous shows and videos.

In 2015, TVF launched a free streaming platform, TVF Play.

“We streamed shows on YouTube, but felt that the platform’s feed didn’t present our content well,” said a TVF employee, speaking on condition of anonymity. “People weren’t able to remember the name of our production company when they thought of Permanent roommates. The mark was lost.

While TVF has had its ups, the content producer has also had its downs. Image Credit: Designing Your Story

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Digital entertainment ecosystem

Now, the digital entertainment ecosystem was taking shape in India. Streaming giants such as Netflix and Amazon Prime Video laid the groundwork and then rolled out their services in 2016.

The potential for streaming services in India seemed immense, and TVF seemed to be in the right place at the right time.

The company quickly attracted institutional investment, raising $10 million in its first-ever seed round led by Tiger Global Management in 2016.

In the same year, TVF also opened an office in Delhi to get more local content from North India. Led by a team including Apoorva Singh Karki as creative head, the division has produced several shows with Delhi as the backdrop. These included middle-class comedy-drama Aam Admi Family (2016), teenage romance Flames (2018) and coming-of-age drama Aspirants (2021). Aspirants currently has approximately 50 million viewsaccording to YouTube.

Eager to expand further, the company has set its sights on delivering content to streaming platforms.

A show in development about a family’s journey to the 90s has been shown to Netflix and Prime Video, and was to be sponsored by the State Bank of India (SBI).

However, TVF’s plan was canceled in March 2017 after an anonymous message on Medium called founder Arunabh Kumar for sexual harassment in the workplace. The company initially denied the allegations, generating very bad press.

An FIR was filed against Arunabh a week after the anonymous posting, and several women came forward with allegations of workplace misconduct.

The web channel’s CEO has resigned, posting an open letter on Twitter and saying the company will “always be bigger than one individual”.

Arunabh was replaced by Dhawal Gusain, who is currently at Disney+ Hotstar, as Chief Executive Officer (CEO) and also joined the company’s board in 2015.

But the allegations had created ripples. The company’s image took a hit and SBI also withdrew its sponsorship deal. A query sent to SBI elicited no response until this story was published.

The problems continued to escalate. Bisht please!, a show released the month the allegations surfaced, suffered from poor ratings and declining viewership.

After SBI pulled out, TVF was in talks with Amazon Prime Video to Yeh Meri Family, according to a former employee. The platform had even worked on the subtitling, among other things, but dropped the show.

“We were done doing the show. Everything has been done. So, we finally decided to broadcast it only on YouTube, ”explains the former employee on condition of anonymity.

Yeh Meri Family premiered on YouTube and TVFPlay in July 2018, with the Association of Mutual Funds in India (AMFI) as the main sponsor.

“Sometimes it happens that several brands wish to partner with TVF for a particular show. But to maintain the sanctity of the content, we prefer to have a partner on a show. In the case of Yeh Meri Family, the collaboration with the Association of Mutual Funds (AMFI) made more business and creative sense, so we opted for AMFI as our brand partner for this show,” TVF said in an email response.

The show was picked up by Netflix after a few episodes aired, becoming the first TVF production to be released on a streaming platform.

Since then, TVF has attracted sponsorship from top actors, including edtech platform Unacademy for Kota Factory and Aspirantsboth critically acclaimed. Gullak, cheesecake, Cabinsand Daze Youth Hostel also found their own audience, with Gullakthe third season of being very well received.

Panchayatwhich was released during the pandemic, is currently under an exclusive license agreement with Amazon Prime Video.

TVF, which now employs 175 people, currently has over 20 shows and several YouTube-sponsored videos in development. The videos provide analysis and help the platform come up with concepts for new shows.

Arunabh may have left the CEO position, but he never left the creative direction. Most of the previously mentioned shows have him as a producer, creator, or both.

However, there has been a massive restructuring of the company since 2020.

Sameer Saxena, core member, who led Permanent Flatmates and served as executive producer on the first season of Kota Factory, Gullak, and Panchayat, left the TVF umbrella in June 2020 to set up his own production house Posham Pa Pictures Pvt. ltd.

Other core members of TVF, including Biswapati Sarkar, the show’s creator and host of Barely speaking with Arnub; Amit Golani, writer on many TVF videos and shows including Cabins; and Saurabh Khanna, who wrote Yeh Meri Family and Kota Factoryjoins Sameer.

TVF Movies

TVF plans to enter the world of Hindi films in the post-pandemic world, at a time when mega stars, marketing dollars, studios and even “decent” stories have failed to bring audiences back into movie theaters.

The company is aware of the current market and public sentiment.

“Films with leading actors will be trickier because of the stakes involved. Also, the industry is going through a tough time right now. The level of trust is not very high,” says Vijay from TVF.

That’s why the company plans to produce its A-list projects with other production companies. “We are currently in talks with a few big banners in the industry,” says Vijay.

TVF plans to release at least one project theatrically by the end of 2023.

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Connecticut’s 2023 Kid Governor Candidates Named https://inigo-tech.com/connecticuts-2023-kid-governor-candidates-named/ Mon, 14 Nov 2022 18:20:00 +0000 https://inigo-tech.com/connecticuts-2023-kid-governor-candidates-named/ Seven fifth graders from across the state created videos promoting their community issues. HARTFORD, Conn. — There are no television commercials or public events in the state, but Connecticut’s slate of Kid Governor candidates has been announced. Campaign videos for all seven candidates have been distributed to fifth-grade classrooms across the state and from now […]]]>

Seven fifth graders from across the state created videos promoting their community issues.

HARTFORD, Conn. — There are no television commercials or public events in the state, but Connecticut’s slate of Kid Governor candidates has been announced.

Campaign videos for all seven candidates have been distributed to fifth-grade classrooms across the state and from now on, voting will close on Tuesday, November 15.

The program is part of a civic education program created and run by the Connecticut Democracy Center. It provides a hands-on civic experience where they can raise their voices and engage in real-life advocacy, campaigning, and voting.

Candidate campaign videos can be viewed by click here.

Sign up for FOX61 newsletters: Morning forecast, morning headlines, evening headlines

The final candidates and their community issues for the 2022 national election are:

  • Aaron: Access to healthy food
  • Ellie: Anxiety and depression
  • Jacob: bullying
  • Liliana: Literacy
  • Maxence: Cyberbullying
  • Scarlet: rubbish
  • Shaan: Valuing the elderly

RELATED: CT Kid’s Former Governor Shines in the National Spotlight

The Connecticut Democracy Center will count the votes and announce the winner later in November. The annual inauguration will take place at the Old State House in January. At this moment. the Kid Governor and members of his cabinet are working to advance their three-point platforms during their one-year term.

RELATED: 2022 Connecticut Kid Governor Announced, Finalists to Join Cabinet

The Connecticut Democracy Center hosts a number of programs designed to help people of all ages participate in their communities.

Doug Stewart is a digital content producer at FOX61 News. He can be reached at dstewart@fox61.com.

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Sky TV appeals Ofcom’s end-of-contract notification decision https://inigo-tech.com/sky-tv-appeals-ofcoms-end-of-contract-notification-decision/ Fri, 11 Nov 2022 18:30:00 +0000 https://inigo-tech.com/sky-tv-appeals-ofcoms-end-of-contract-notification-decision/ In a long-running dispute, Sky is appealing Ofcom’s ruling that the provider should send end-of-contract notices to its pay-TV customers. Ofcom published its non-confidential decision this week, which explains why Sky is obliged to send end-of-contract notices to its pay-TV customers. While Ofcom officially ruled that was the case in August 2022, Sky has since […]]]>

In a long-running dispute, Sky is appealing Ofcom’s ruling that the provider should send end-of-contract notices to its pay-TV customers.

Ofcom published its non-confidential decision this week, which explains why Sky is obliged to send end-of-contract notices to its pay-TV customers.

While Ofcom officially ruled that was the case in August 2022, Sky has since filed an appeal with the Competition Appeal Tribunal, again trying to challenge Ofcom’s decision.

BT, TalkTalk and Virgin Media are subject to Ofcom rules as their television services are tied to their broadband. However, Sky believes its TV service should be exempted on the grounds that Sky TV is a unified service and transmission is purely ancillary.

Source: Ofcom

Ofcom’s decision

Ofcom is investigating Sky’s compliance with end-of-contract notices since December 2020, almost a year after regulation came into force.

Although Sky adheres to regulations when it comes to their broadband contracts, they have yet to inform pay-TV subscribers of the end of their contracts and what options are available to them.

Ofcom’s regulations on end of contract notices apply specifically to Electronic Communications Services (ECS), the definition of which is set out in the Communications Act 2003, and cover:

  • Internet access service (e.g. broadband)
  • Number-based interpersonal communication service (e.g. telephones)
  • Any other service consisting of, or having as its main characteristic, the routing of signals, such as a transmission service used for […] broadcast (e.g. via satellite)

However, Section 32(7) of the Communications Act 2003, actually begins “A CSE […] is not a content service (i.e. a service which involves the provision of material or involves the exercise of control over content)”.

Additionally, Ofcom own orientation states that “services are not SCEs unless they consist wholly or principally of the conveyance of signals”.

It is these definitions above where Sky and Ofcom seem to disagree on whether Sky’s use of a satellite dish service to provide Sky TV is sufficient to classify them as ECS or not.

But in August 2022, Ofcom concluded that:

  • Sky provides an electronic communications service as they provide pay television services which are transmitted through a satellite network
  • Sky must therefore send end-of-contract notifications to its pay-TV customers

The call of the sky

Sky’s main arguments against Ofcom’s decision are based on the way their Sky TV services are applied to benchmarking in a disintegrated way, rather than seeing the service as a unified proposition, thereby watering down the ‘whole and mainly” from the definition.

For example, Sky considers that its TV services should be enjoyed as a whole, i.e. by combining Sky+, Sky Q, sky glass, sky stream, NOWSky Go and their creation of unique content, such as Sky Originals programming, into one ‘Sky TV’ service.

However, while Ofcom already accepts Sky Glass, NOW and Sky Go are “over-the-top” (OTT) services, which depend on a separate ECS to be provided (such as a third-party broadband connection), the regulator chooses to separate the Sky+ and Sky Q services and to apply the obligation test to these individual parts of Sky TV separately.

As Sky+ and Sky Q rely on Sky’s digital satellite transmission service to be delivered to consumers, Ofcom concluded that Sky TV falls within the definition of an Electronic Communications Service (ECS) in this case, and is therefore obliged to implement the end of contract notifications.

Sky’s court appeal will seek to argue that Sky TV is not a public ECS because it does not “wholly or principally” consist of the transmission of signals. Ultimately, Sky does not believe that their satellite dish broadcast is a big enough part of their Sky TV service for the regulation to apply to them.

Sky’s argument also takes into account their own unique content offering, which is of course a very large part of Sky TV, and is resold by providers such as Virgin Media, BT and TalkTalk via NOW subscriptions. Considering this aspect as well, it is easy to see how highly Sky can perceive the satellite broadcast of its Sky TV service.

Overall, Sky’s appeal to the Competition Appeal Tribunal will seek to highlight how Ofcom incorrectly broke down Sky TV’s services for the purpose of using the ‘fully or mainly” to classify an ECS.

from the sky call answer states that Ofcom has:

  1. improperly disaggregating Sky’s unified service into constituent parts for the purpose of applying the “wholly or primarily” test to just one of them rather than the whole service;
  2. take an inappropriate policy argument that undermines exemptions from the scope of the ECS Regulation granted to services that do not consist wholly or primarily of transmission or that do so but are content services;
  3. introduce a distortion of competition between Sky and other competing content services;
  4. failing to address the obvious inconsistency in the decision between Ofcom’s conclusion that the transmission element is a separately regulated service and Ofcom’s remedy which applies to Sky TV as a whole; and
  5. relying on an irrelevant or incorrect characterization of Sky’s case by claiming that Sky’s approach requires that a service involving an ECS can never be subject to content regulation.

If Sky’s appeal is successful, they are aiming to overturn Ofcom’s ruling that their pay-TV service is obliged to send out end-of-contract notices.

Consumer perspective

From a consumer perspective, although the argument from both sides is extensive and probably touches on the gray areas of interpretations of the definitions, it is arguable that Ofcom’s decision for Sky to implement an end-of-contract fee may not be entirely unreasonable.

For example, when Virgin Media, BT and TalkTalk are forced to send end-of-contract notices to both their broadband and pay-TV subscribers, it can get a little confusing as to why the pay-TV service of Sky could get around that.

Also, while Sky Glass, NOW, Sky Go and most likely Sky’s new Stream TV servicewill anyway be omitted on the basis that Ofcom has already agreed that these services are “over-the-top”, they are also all generally flexible services anyway, with either rolling monthly terms or at least the choice of monthly terms in the case of SkyStream.

Given that, you can see how sending an end-of-contract notification on an 18-month minimum term subscription for Sky TV, where the out-of-contract price is going to go up, would actually put them in line with services similar from Virgin Media, BT, and TalkTalk.

Potentially, by not doing so, it could even encourage people to sign up for Virgin Media on Sky if they had more insurance, they would be reminded to renew their contract at a lower price at the end of their minimum term.

Yet on the other hand, as an actual content producer, Sky is probably more concerned about the competition they face from other content products like Netflix, Prime Video, Paramount+ and Disney+, among others. all of which are considered “over-the-“. top’ and not subject to end-of-contract regulations.

However, all of these services offer subscriptions on a monthly basis, so from a consumer perspective it’s really Sky TV’s minimum 18-month term and out-of-contract price increases that Ofcom seems to be looking for.

Additionally, in May 2022, Ofcom actually found that end-of-contract notifications actually increased the number of customers renewing a contract with the same provider. While contract renewals often provide lower prices for customers, it also gives suppliers certainty about customer retention.

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City of Tucson to reopen Section 8 housing waitlist on January 3 https://inigo-tech.com/city-of-tucson-to-reopen-section-8-housing-waitlist-on-january-3/ Tue, 08 Nov 2022 22:20:00 +0000 https://inigo-tech.com/city-of-tucson-to-reopen-section-8-housing-waitlist-on-january-3/ TUCSON, Ariz. (KGUN) – The City of Tucson announced plans to reopen its Section 8 housing waitlist in early 2023, Jan. 3. The waiting list has not been available to applicants since 2017. Since then, the Department of Housing and Community Development (HCD) says it has exhausted its existing waiting lists, meaning the city has […]]]>

TUCSON, Ariz. (KGUN) – The City of Tucson announced plans to reopen its Section 8 housing waitlist in early 2023, Jan. 3.

The waiting list has not been available to applicants since 2017. Since then, the Department of Housing and Community Development (HCD) says it has exhausted its existing waiting lists, meaning the city has helped anyone who had been on a housing waiting list in the past six years.

Low-income Tucsonians will be able to pre-apply for affordable housing on the new site, which was recently posted online. Applicants will be selected using a lottery system starting in February 2023.

In anticipation of a large number of applicants who may not have Internet access in their current living situation, HCD says it is working with nonprofits, other agencies, and community partners to provide access. public to computers.

For those who prefer paper applications or need assistance in other languages, contact HCD by at TucsonWaitingList@tucsonaz.gov or (520) 791-5840.

Anyone interested in getting involved in the city’s public housing programs, HCD is planning a public meeting on Wednesday, November 16. The meeting will be centered around a public discussion on strategies, goals and objectives.

Public housing meeting

  • Wednesday, Nov. 16 – 2:30 p.m. – 4:30 p.m.
  • Sentinel Building, 320 N. Commerce Park Loop
  • Virtual presence option via Zoom
    • Meeting ID: 883 3632 1559
    • Access code: 728050
    • Telephone: 1 (346) 248-7799

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Anne Simmons is a digital content producer for KGUN 9. Anne made her television debut while still a student at the University of Arizona. Prior to joining KGUN, she managed several public access television stations in the Bay Area and worked as a video producer in the nonprofit sector. Share your story ideas and important issues with Anne via email anne.simmons@kgun9.com or by connecting to instagram, Twitter Where LinkedIn.

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“Any of the Five Guys Can Beat You” | Five things to know after Utah win over Los Angeles https://inigo-tech.com/any-of-the-five-guys-can-beat-you-five-things-to-know-after-utah-win-over-los-angeles/ Sat, 05 Nov 2022 16:58:00 +0000 https://inigo-tech.com/any-of-the-five-guys-can-beat-you-five-things-to-know-after-utah-win-over-los-angeles/ At this point, the Jazz feel like they’re done surprising people and playing basketball. Behind five double-digit players, Utah took the lead in the fourth quarter before finally defeating the Los Angeles Lakers 130-116 on Friday night. “I think we made some quick decisions tonight offensively,” head coach Will Hardy said. “We moved the ball […]]]>

At this point, the Jazz feel like they’re done surprising people and playing basketball.

Behind five double-digit players, Utah took the lead in the fourth quarter before finally defeating the Los Angeles Lakers 130-116 on Friday night.

“I think we made some quick decisions tonight offensively,” head coach Will Hardy said. “We moved the ball both sides of the pitch and used our speed a bit in the half court. … We threw different things tonight and the guys executed really well. I’m proud of them.”

Here are five things to know after the win:

1.) Caution Below
A few days ago, Malik Beasley kicked off the Lauri Markkanen-All-Star hype train by saying he thought his teammate deserved the prestigious honor.

While Markkanen’s numbers certainly look Western Conference All-Star worthy — even more so with Utah sitting 7-3 this season — the 7-footer from Finland still needs some “wow” moments to stay. in the minds of voters.

In addition to picking up his fifth double-double of the season with 27 points, 13 rebounds and four assists, the highlight of the night came in the first quarter.

After catching the ball with a cut to the hoop, Markkanen took two steps and launched a thunderous left-handed dunk at Anthony Davis (fourth in the NBA at 2.3 blocks per game). It was the kind of game that sticks in the minds of All-Star voters and can serve as a continued launch point for Markkanen’s candidacy.

“Yeah, 27 points, 13 rebounds, zero turnovers. … I think he did a great job on both sides,” Hardy said of Markkanen. “I think Lauri does a lot of things that show up in the stat sheet, and he does a lot of things that don’t. … His defense probably doesn’t get talked about enough.”

2.) Hardy wins the challenge
With nearly two minutes of scoreless play midway through the fourth quarter, Utah clung to an eight-point lead — but the environment inside Crypto.com had the momentum going. Lakers.

After Jordan Clarkson fired into the lane and the ball caught on the rim, Clarkson jumped up to tap the ball before it fell through the hoop. Although he claimed he hadn’t touched it, officials saw it differently and whistled the basket interference – nullifying the shot and inflaming the crowd in Los Angeles.

Clarkson was adamant that he hadn’t touched the ball, signaling Hardy to contest the call. Without hesitation, and knowing how important the moment was, Hardy trusted his veteran player and took him at his word. It was the right call as Clarkson never touched the ball, putting two more points on the board and silencing the crowd.

It’s the kind of play that completely swung the Jazz’s momentum — and, more importantly, a head coach trusting his players in the biggest moments.

3.) Conley owns the final six minutes
After Hardy’s successful challenge with 6:26 left, Mike Conley entered the game. Until then, the veteran playmaker had thrived as a playmaker rather than aggressively chasing his own shot.

This was ultimately not the case.

After LeBron James got the crowd back into the game with a bucket, Conley silenced everyone with a clock-beating three-pointer on the ensuing possession, kicking off a personal run 5 -0. He then put his last stamp on the game minutes later, ending a 5-0 Lakers run with a three-point play to give the Jazz a 13-point lead with 2:22 to go.

“Mike understands the moment,” Hardy said. “He had sat down for a little while to rest and get his legs back. … Then when Mike came in he looked fresh and he really had a glow. I don’t need to say much to Mike at this point on what’s going on in the game and understanding those moments.”

4.) JC takes flight
While Conley’s three-point play might have been the final nail in Los Angeles’ coffin, Clarkson was the exclamation point with one of the best plays of the season.

Beating Lonnie Walker – who just punched in a three-pointer to give the Lakers some hope – off the dribble, Clarkson took flight and launched a thunderous two-handed dunk that sent the Utah bench wild.

While the dunk was impressive, nothing compares to the photos captured by Jazz team photographer Gabby Stockard. The footage is some of the best anyone will ever see and captures the excitement of Clarkson and the desperation of Los Angeles.

5.) Sniper Night
One of the greatest statistical seasons a player can achieve is joining the coveted 50-40-90 club – 50+% from the field, 40+% from three-point territory and 90+% from the free-throw line .

Although it wasn’t all season, Utah was so effective on offense that as a team, they had a 50-40-90 night. The Jazz shot 50.5 percent (52-for-103) from the floor, 42.5 percent (17-for-40) from beyond the arc and 90 percent (9-for-10) from the charity strip on Friday night.

To make the night even more impressive, the Lakers have one of the best defenses in the NBA, ranking No. 2 in defensive rankings. All in all, a great offensive performance from the Jazz and hopefully a sign of bigger and better things around the corner.

“I think the spacing is the biggest difference for us. … We’re so selfless that the ball moves and resonates, and any of the five guys can beat you at the dribble and make plays,” Conley said.

If you want to see the rematch between the Jazz and the Lakers on Monday night in Salt Lake City, click HERE for tickets.

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Jim Gaffigan plays Santa Claus in the CBS special “Reindeer in Here” https://inigo-tech.com/jim-gaffigan-plays-santa-claus-in-the-cbs-special-reindeer-in-here/ Thu, 03 Nov 2022 20:50:30 +0000 https://inigo-tech.com/jim-gaffigan-plays-santa-claus-in-the-cbs-special-reindeer-in-here/ CBS has shared the cast for an animated special reindeer herepremiering on November 29. Jim Gaffigan voices Santa Claus, Adam Devine takes on BlizzMelissa Villasenor is Candy, Henry Winkler is Smiley, Candace Cameron Bure voices Pinky, Donald Faison plays Bucky and Jo Koy is Hawk. reindeer here is about Blizz, a young stag who has […]]]>

CBS has shared the cast for an animated special reindeer herepremiering on November 29. Jim Gaffigan voices Santa Claus, Adam Devine takes on BlizzMelissa Villasenor is Candy, Henry Winkler is Smiley, Candace Cameron Bure voices Pinky, Donald Faison plays Bucky and Jo Koy is Hawk.

reindeer here is about Blizz, a young stag who has one antler much smaller than the other. He and his unique group of friends band together to save Christmas and end up creating a holiday tradition like no other.

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Banijay Asia partners with global content producer Keshet International https://inigo-tech.com/banijay-asia-partners-with-global-content-producer-keshet-international/ Tue, 01 Nov 2022 08:08:02 +0000 https://inigo-tech.com/banijay-asia-partners-with-global-content-producer-keshet-international/ NEW DELHI: Banijay Asia, the Indian arm of Paris-based content studio Banijay Group, has partnered with global content producer and distributor, Keshet International (KI). The collaboration will see the older scripted formats as an option from the latter’s content library for Indian audiences. In India, Banijay Asia is known for shows like Survivor, Ranveer vs […]]]>

NEW DELHI: Banijay Asia, the Indian arm of Paris-based content studio Banijay Group, has partnered with global content producer and distributor, Keshet International (KI). The collaboration will see the older scripted formats as an option from the latter’s content library for Indian audiences.

In India, Banijay Asia is known for shows like Survivor, Ranveer vs Wild with Bear Grylls, Call My Agent Bollywood and The Voice. In addition to distributing Israeli properties like False Flag, Rising Star and Yellow Peppers (The A Word), KI is recognized for its catalog of dramas and comedies in local languages ​​from elsewhere – including Iceland, Norway, Sweden, Belgium, Portugal, Turkey, Mexico and Quebec.

“Indian audiences have an insatiable palette of diverse stories and shows, and Banijay Asia strives to meet this demand by partnering with a range of production networks around the world. Together (with Keshet International), we are working to build a series of shows that will continue to expand the content offering in our market,” Banijay Asia CEO and Founder Deepak Dhar said in a statement.

Keren Shahar, President of Distribution and COO of KI, said the company is really excited to work with Banijay Asia to help it identify more dramas and comedies from its library to adapt for Indian audiences. “Following the successful local adaptations of our Israeli IP in two seasons of Bandi Yuddh Ke (Prisoners of War) and the Telugu adaptation of The Baker and the Beauty – we look forward to seeing similar successes with shows from Israel, from Europe and beyond,” Shahar said in a statement.

Over the past few years, Banijay Asia has collaborated with content and production companies such as NBCUniversal Formats, Turmeric Media and Kamal Hasan, Bear Grylls and Delbert Shoopman’s The Natural Studios, Salman Khan TV, MS Dhoni’s new venture – Dhoni Entertainment Pvt Ltd and Group M’s Motion Content Group to create and execute concepts for television and the web.

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National Treasure: Edge Of History: 7 Quick Things To Know About The Disney+ Series https://inigo-tech.com/national-treasure-edge-of-history-7-quick-things-to-know-about-the-disney-series/ Sat, 29 Oct 2022 13:04:20 +0000 https://inigo-tech.com/national-treasure-edge-of-history-7-quick-things-to-know-about-the-disney-series/ With an endless amount of space to fill with its extensive library of original content, Disney+ has become home to television series based on various films released by the House of Mouse over the years. Since the launch of the service in 2019 we were treated to shows like The Mighty Ducks: The Game Changers, […]]]>

With an endless amount of space to fill with its extensive library of original content, Disney+ has become home to television series based on various films released by the House of Mouse over the years. Since the launch of the service in 2019 we were treated to shows like The Mighty Ducks: The Game Changers, Andor (who widens the Rogue One: A Star Wars Story universe), and even High School Musical: The Musical: The Series, among others. And now, one of the most successful live-action adventure film franchises released by Disney in the 21st century will soon get the small-screen treatment.

National Treasure: Edge of History, which continues the legacy of Jerry Bruckheimer-produced blockbusters starring Nicolas Cage as a treasure hunter who will do anything to uncover a good mystery, comes as a streaming series. Although we don’t know Cage’s Benjamin Franklin Gates statusand if he pops up and steals the Declaration of Independence at some point in the series, we know quite a bit about the next must-watch action-adventure series…

Screenshot of the National Treasure: Edge of History logo

(Image credit: Disney+)

National Treasure: Edge of History premieres December 14 on Disney+

The Fall 2022 TV lineup has seen its fair share of new series, especially when it comes to the Disney+ release, and that will continue until the end of the year when National Treasure: Edge of History makes its debut. On December 14the highly anticipated series will debut with not one, but two episodes, kicking off a new adventure set in the world of incredible success national treasure movies. Episodes will be released on a weekly basis thereafter.

Lisette Olivera in National Treasure: On the Edge of History

(Image credit: Disney+)

The series centers on a young explorer in search of hidden treasure and the truth about her family.

The first two installments of the films centered around Nicolas Cage’s intrepid historian, cryptographer, and treasure hunter Benjamin Franklin Gates, but this time around there will be a new heroine. Disney announced that National Treasure: Edge of History will focus on a young woman whose life is turned upside down after discovering that her deceased father may be the key to a centuries-old treasure. As she searches for the long-lost fortune, she will also uncover truths about her own family’s history.

Lisette Olivera and Catherine Zeta Jones in National Treasure: Edge of History

(Image credit: Disney+)

The National Treasure: Edge Of History Cast is led by franchise newcomers Lisette Olivera and Catherine Zeta-Jones

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